S is a suicide designer who assists people to commit suicide according to a method of their own choosing. When a woman kills herself, her boyfriend decides to investigate, and discovers that S is behind the suicide...

Senior officials in the British, American and Russian governments all receive the same cryptic and unsigned message - "I Can Destroy The Sun". What can it mean?

Touching on bulimia, death and cat sodomy, this French actress and comedian is keen to push the envelope in a one-woman show with understated flair.

Xochil is a woman who must immerse in her past to find herself, opening the doors to a world that she thought was long forgotten.

Content creator Ethan Nestor battles personal and artistic crises as he races against the clock to develop a live show under increasingly-heavy pressure for his impending, sold-out, first-ever North American tour.

A comedy examines one man's life over a 50-year span. It explores three distinct periods in his life - as a 14-year-old in 1991, a 40-year-old in present day and a 65-year-old in 2042.

Due to the high suicide rate among youths in Japan, the government implements experiments to uncover the causes behind the high suicide rate. Children are selected and placed in a YSC facility under constant surveillance. At the age of 10, the children are then give a detonator with a red switch. They are told if they press the switch they will die immediately. Most of the children under the experiment, eventually presses the switch and dies. After the completion of the experiment 6 kids remain who did not press the switch. The 6 kids are; strong-minded Masami, weak Naoto, hot-tempered Hiro, impulsive Ryota, wheelchair bound Kimiaki and Aiko who is always thinking of her parents. These 6 kids survived even though they were pressured by project manager Tsukuda to press the switch.

Jeong-eun is dispatched to a subcontracting company. She tries to fit in, but her co-workers aren't comfortable around her and she's completely new to field work. Despite all that, she wants to stay on for a year and then return to headquarters, no matter what. Thanks to a newbie's help, she slowly adjusts to her new workplace.

The most problematic aspect of Zsolt Kézdi-Kovács's films is the political motif of The Right to Hope, which is incomprehensible from a child's point of view and therefore disrupts the unified soul. The film works just as well without it, and it really works without the element of logical incoherence it introduces into the story. All of this highlights a directorial virtue that was rare in this period. Zsolt Kézdi-Kovács is able to dramatise personal conflicts that arise purely from within.

When a professor of religious studies is forced to investigate why his students are being murdered, he discovers what ended his own life and is then reborn.